Compassion and the Arts

If you’re working in some area of the arts yourself–writing, music, film, painting, photography, dance, theater–or you’re close to someone who is, you know that this profession can often feel awfully detached from the real world of real suffering.

Living in Nashville, I’m particularly aware of the music industry, and what a superb job many individual bands and musicians have done in publicly supporting a particular cause, whether clean water or feeding the hungry or construction in developing nations.

And from personal friendships with people in the arts, I’m aware that many of you give to compassion organizations–often quietly, often with breathtaking generosity.

Still, lots of us struggle with what can feel like an inhumane disconnect between barricading ourselves in a studio or library or practice room to work–while the images of recent earthquakes or tsunamis, or of orphanages without nearly enough food for their children play on in our heads.

What I’d like to do here is to offer a place for a conversation among people in the arts. We don’t have to agree on one organization or one region of the world to support.  We don’t have to agree on political parties, or live in the same country.

But perhaps it would be helpful to talk.  Perhaps to give one another ideas.  Or support.  Perhaps to form a loose coalition of writers and musicians and actors and painters and directors and sculptors who want to live with passion and compassion in the stories we tell or the images we paint or sounds we produce, and who want to stay connected–to each other and to the wider world of desperate need.

If you’re interested or know someone who might be, see the blog attached to this website under the category “Compassion and the Arts,” and join the conversation there. Please feel free to forward this to your own colleagues and friends. Your input and theirs will be valued.   And let’s see what comes of the conversation….

Thank you for your time, your ideas and your heart,

Joy Jordan-Lake

joyjordanlake@aol.com

  • Some Favorite Quotes on the Writing Life:

    "People without hope do not write novels. Writing a novel is a terrible experience, during which the hair often falls out and the teeth decay. I’m always highly irritated by people who imply that writing fiction is an escape from reality. It is a plunge into reality and it’s very shocking to the system. If the novelist is not sustained by a hope of money, then he must be sustained by a hope of salvation, or he simply won’t survive the ordeal."
    --Flannery O’Connor

    "You can’t wait for inspiration. You have to go after it with a club."
    --Jack London

    "Writing has saved me from the sin and inconvenience of violence." --Alice Walker

    "You must be prepared to work always without applause."
    --Ernest Hemingway

    "Try again. Fail again. Fail better."
    --Samuel Beckett

    "The invariable mark of wisdom is to see the miraculous in the common."
    --Ralph Waldo Emerson

    "You keep putting one blessed word after another, just as you hear them, as they come to you."
    --Anne Lamott

    "Sing to God a new song."
    --Psalm 33:3

BLUE HOLE BACK HOME Chosen as Common Book, Classroom Text and Summer Reading

Blue Hole Back Home is being used in universities, high schools and community settings to spur discussions on American culture, history, and diversity. The novel was selected, for example, as the 2009 Common Book for Baylor University's first-year students, who met in small groups to consider issues of courage, reconciliation and social transformation. Want to know more about how Blue Hole Back Home might function in your academic, book club or community setting? You can see a television interview about how one high school is using the novel, watch a brief trailer with audio from the first chapter, and read more information under the Books-Fiction pull down menu above. You'll also find entries related to Blue Hole--including hearing the music behind the book-- on Joy's blog at bottom right of this page.

Intrigued with the Underground Railroad or the Great Hunger of Ireland or Pre-Civil War Boston and Charleston? STEAL AWAY is a Novel-in-Progress

On a sultry Charleston, South Carolina, morning in 1822, two boys, one a slave and the other the son of a white prostitute, witness the hanging of slave revolt leader Denmark Vesey. The consequences of that day, brutal and far-reaching, set the tumultuous course for their adult lives. The toughest thing about writing Steal Away? The actual history is too incredible. Joy perpetually feels inadequate to the task: Slaves mailing themselves to the North, or escaping, disguised, in plain view. Secret networks of abolitionists. Slaveholders riven with guilt. Cities teeming with new ideas, inventions, excitement--and a world of new problems. Ordinary people staking their lives on what they believe America is--or ought to become.